Salvador Mundi X Great Pyramid X φ

The Painting Measures:

45.7 x 65.7

4+5+7 = 16 

6+5+7= 18

Wow here I show Leonardo encoding the Phi value 1.618 into the Salvador Mundi. Phi is the O. The Golden ratio. Creation.

Phi is also found at the Great Pyramid.

I also point to the inch measures 26 x 18 inches = 2618 which is Phi squared. 

THIS IS AN INCREDIBLE FIND!

657 reads from right to left as 756.

756ft is the measurement of the base of the Great Pyramid. 

65.7 is the measurement in the air shaft of the queens chamber. In fact 6.57 & 65.7 are both present at the queens chamber air shaft.

Here Leonardo signaling the air shaft as being a major factor influencing his work of the Salvador Mundi. The airshafts are connected to the stars which has been much documented.

Therefore, Leonardo giving a stellar connection to Christ. Which we also see in the globe that is in the hand of Christ.

There are actually only 4 numbers present in this set of numbers. Note the sequence 4-5-6-7  this equals 22.

22 is the number of letters in the Hebrew alphabet  which gives us the Tav. Truth, perfection, completion. The O. Tav being the equivalent to the Omega.

 Hence Leonardo symbolizes Jesus as the truth, the restoration. The Omega. 

The O - mega is linked to the Goddess and is seen accompanying the ancient Goddesses. Such as Inanna and Hathor

The Whole, completeness. The Womb Return to source.

Importantly, 22 is the last chromosome we share as man and woman.

The next chromosome 23 is the one which determines our sex. 

The numbers which are unseen here are 1,2,3,8,9 Which = 23 ( the sex gene) Again symbolism of creation.

The Salvador Mundi has been suggested to represent man & woman. A symbol of unity. The balance of feminine and masculine = completeness O

45.7  actually gives us the measurement of the height of the queens chamber in the form of 4.57 meters The micro and macro. All that changes is the decimal place.

45.7 it’s 4.57 the decimal moves but the numbers remain the same. Hence the dimensions of the painting a reflection of the Queens chamber This painting is one of my favourites.

There are other features which I’ll speak about later. I hope one day to get to see this work of art. For now it’s not on show.

But I’m open to a personal invite to view it if the owner would be so kind

This study is from my own independent research

©Dawnhiggins 2024

Posted 4:3:24 10.53 GST

John The Baptist X Vitruvian Man x Phi

In unraveling the mysteries of Leonardo da Vinci's artistry, a remarkable connection emerges between his paintings and drawings, showcasing a profound intertwining of dimensions and symbolism. Among his masterpieces, the painting of John the Baptist stands as a focal point, intricately linked to one of his most celebrated drawings, The Vitruvian Man.

Here, I demonstrate how the dimensions of the original John the Baptist painting, measuring 69 x 57 cm, hold a significance that transcends mere measurements. When these numbers are combined, they yield the sum of 126, a number that holds deep symbolic value. Remarkably, this very number is found prominently displayed at the top right-hand side of Leonardo's drawing of The Vitruvian Man, a detail that has long puzzled scholars.

However, through diligent study and my keen eye for connections, the mystery begins to unravel. The number 126, steeped in symbolism both ancient and universal, finds its resonance in the pages of the Bible. In Genesis 1:26, it is written: "And God said, let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth."

Here, in this sacred verse, lies the essence of creation itself, intricately intertwined with Leonardo's profound exploration of human form and proportion.

Through the meticulous dimensions of his works, a hidden language emerges, one that speaks to the very essence of existence and the divine spark within humanity.

I also added the two sets of numbers to unveil

6+9= 15

5+7=12

This gives us the amazing number 1512.

This can be seen at the Great Pyramid.But also when we divide 1512 by 2 we get the base length of the Great Pyramid 756 and this is the number I displayed in the Salvador Mundi. dimensions. (65.7 x 45.7)

When we take the 1512 and we divide it by the height of the pyramid as shown in the Mona Lisa dimensions ( 77 x 53=4081) we get the number for Pi 3.14. 1512 divided by 481= 3.14

Here I can show how between two of is greatest paintings Leonardo encoded the value of Pi and the measures of the Great Pyramid.

This opening the way to a new thought. In unlocking these hidden messages encoded within the canvas and parchment, we glimpse the genius of one of history's greatest painters and thinkers. Through the marriage of art, mathematics, science, and ancient wisdom, Leonardo da Vinci leaves behind a legacy that transcends time, inviting us to ponder the mysteries of creation and our place within the cosmos.

Revealed by Dawn Higgins 2024, Posted 10th March 2024"

Unlocking the secret measurements of the Da Vinci masterpieces - the great pyramid connection.

Through my independent analysis and research, I have made a fascinating discovery about the measures used by Leonardo Da Vinci in two of his most famous works, the Salvador mundi and the last supper. 

After careful examination, I found that these measurements correspond to those of the Great Pyramid. 

The last supper measures 181 x 346 inches, which can be found in the length of the Queen’s chamber 18 feet 10 inches (181).

The measure of 346 inches can be found in the grand gallery measure. 

Interestingly and in support of the Salvador mundi being the work of Leonardo I have discovered it’s dimensions of 45.7 x 65.7 cm, reflect in the measures of the length of the Queen’s air shafts at 65.7 meters and the base of the Great Pyramid at 756 feet.

When we read 65.7 from right to left it actually reads as 756.  

This being the measurement of the base of the great pyramid in feet. Additionally, there is a passage way to the Queens Chamber that measures 45.7 meters.

 And amazingly the queens chamber height is 4.57 meters. Here we see the measure of Salvador Mundi as the Queens chamber !

 A beautiful discovery that highlights the intricate details and levels of symbolism that Da Vinci incorporated into his work, inspired by the ancient wonder and knowledge  of the Great Pyramid. 

The da Vinci codes of the last supper and the Salvador mundi decoded after 500 years.

There is also now because of this discovery a relationship of the queens air shaft and the base of the Great  Pyramid. 

This find also supports the fact that Leonardo and the ancient builders of the pyramids used a measure of 45.7 which actually marries the Centimeter with the cubit. 

So not only do my findings support Leonardo’s knowledge of the Great pyramid is also highlights the two metric measures.

The ancient use of the cubit and its connection to the cm 

©Dawn Higgins 2024

 Images at the great pyramid are my own and are date and time stamped.

 Posted 1.3.24 @ 11.35 GST

The connection of the Mona Lisa and The Last Supper unveiled

The dimensions of the Mona Lisa and The Last Supper unveil an intriguing connection, showcasing Leonardo da Vinci's deliberate linking of these two masterpieces through their measures. The Mona Lisa, measuring 72 x 53 cm, yields a sum of 72 + 53 = 130. Similarly, in inches, its dimensions of 30 x 21 result in a sum of 30 + 21 = 51. When we add these two sums together, we arrive at a total of 130 + 51 = 181.

Remarkably, these figures correspond to measurements found in The Last Supper and the Queens Chamber at the Great Pyramid. Specifically, the sum of 181 derived from the Mona Lisa's dimensions aligns with both the measure of The Last Supper and the height of the Queens Chamber at the Great Pyramid, which is 18 feet 10 inches. So now I can clearly show the Mona Lisa connected to the height of the Great Pyramid and the Queens chamber measure.

This revelation underscores a clear and intentional connection between the Mona Lisa, the Great Pyramid, and the masterpiece The Last Supper, further illuminating the depth of Leonardo's genius and the intricacies of his work.

The significance of the number 181 becomes even more intriguing when viewed as two separate figures. Breaking it down, we have 18 + 1, which yields a very special combination: 19. This number aligns perfectly with the symbol of the Flower of Life, where the 18 circles surrounding the central one create a pattern of interconnectedness and harmony. Thus, the essence of the Flower of Life, symbolizing creation, unity, and balance, resonates within the numerical composition of 181, further deepening the mysteries surrounding Leonardo da Vinci's masterpieces and their hidden connections.

It prompts contemplation: Was Leonardo symbolizing the Mona Lisa with the Flower of Life, just as Jesus is seen in The Last Supper symbolized as the Fruit of Life, with the 12 around the 1, representing the 13.

The visual of the 19 circles represent creation, the sacred masculine and divine feminine, and cycles of life, death, and rebirth. The flower of life consists of 61 circles. When we mirror this we get 61 +16 which gives 77. This 77 seen in the measure of the Mona Lisa in the cm measure (77x53)

7+7+5+3 = 22

The 22nd letter in Greek alphabet is Chi. Chi is said to be the life force. And the Chi in the Chi Rho of Jesus Christ.

Through my keen observation and diligent analysis, I've been able to shed a new light on the significance of numbers and dimensions, unveiling the intricate web of relationships between paintings such as the Mona Lisa and The Last Supper.

My discovery of the special combination within the number 181, resonating with the symbol of the Flower of Life, adds yet another layer of depth to our understanding of Leonardo's genius.

As I continue to unravel the mysteries surrounding Leonardo's masterpieces,my work serves as a testament to the enduring fascination and intrigue inspired by one of history's greatest artists. I hope my contributions pave the way for new insights and interpretations, further enriching our appreciation of Leonardo's timeless creations and their interconnectedness'.

Intellectual property of Dawn Higgins

Posted on 25-03-24

@Dawnhiggins 2024

1 2

Queen Of The Valley

I believe to of found a carving of Queen Hatshepsut in the cliffs above her valley temple. After studying the rock face I believe there to be the queens face clearly carved there.

Something much more prominent could of decorated this Eastern facing cliff but has since eroded or been hacked away. 

The Great Hatshepsut carved in stone in her great valley over looking her great temple. 

Imagine 3000 years ago the golden face of Hatshepsut ignited with the rising sun. 

Was it carved in such a way to only become visible with a certain light … Carving stone, rocks or cliffs into a god or goddess has ancient foundations and predates this by thousands of years. 

The ancient Goddess Ninhursag means “Lady of the Mountain.” This gives us a connection to the Egyptian goddess Hathor who was also called “Lady of the Mountain" and this is exactly what we have here.

Hatshepsut was carved into the mountain above her temple. The temple of Hathor being one of the main features of the temple. Defining Hatshepsut's connection to Hathor. Lady of the Mountain.

This symbolism goes back thousands of years to a site in Turkey where the great mother was carved into the rock face. And which still stands today.

They say Hathor was a solar deity but I believe she was actually associated with Venus.

The two sides of Venus being associated with the two sides of Hatshepsut. The masculine and the feminine. As we know Hatshepsut was pictured as wearing a beard and as a pharaoh. As well as being a woman. We can not take the imagery as the true reflection because everything had a meaning and it wasn't literal. It was pure symbolism of something much greater.

@Dawnhiggins 2024

Posting on 21:22:24 at 22.20 GST

Juliet symbolises the Goddess Venus in Romeo and Juliet

New Reveal 

Juliet is the symbolism for the Goddess In the play Romeo and Juliet by Shakespeare Juliet is said to be 13 years of age.Shakespeare has attributed this number to her because she is a symbol of divine feminine. The Goddess.

This fact has been over looked and not attributed until now.The 13 is linked to Venus and also the moon.In the play Romeo and Juliet meet 5 times and kiss 5 times. 

Venus on its journey around the sun almost meets earth 5 times creating the 5 petal rose.

Therefore we see Juliet as Venus. The Goddess of love. She is also spoken about by Romeo as though she were the moon. The white against the black. The white moon against the dark of night. Which can also be a signal of a new moon white and an old moon black. Dove of light and the crow of darkness.

Also the two symbols of the ark and the ark is indeed known as female. As was Mother Mary as Stella Maris- the star of the sea. The ancient identity of Ishtar and in turn Venus.

 O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows, As yonder lady o’er her fellows shows.The measure done, I’ll watch her place of stand, And, touching hers, make blessed my rude hand. Did my heart love till now? forswear it, sight! For I ne’er saw true beauty till this night.

Romeo act 1 scene 5 

This has 85 words again the cycle of Venus - 8 yr 5 petals Venus is said to be the “Jewel of the sky” Their meetings occurring at night gives us a hint to a dream state and the presence of the planet high above him on a balcony out of reach.

 This fact has been greatly over looked and her attribute as a Goddess not mentioned. 

The 13 is stated and meant to be symbolic and has sadly been never fairly given to the role of Juliet. Instead it was said it showed her immaturity and consequences of young love. The fact that emotions have lead to such tragedy like this can also be attributed to the planets and the effects on our bodies at certain periods of the celestial alignments. 

The eight-pointed star was Inanna/Ishtar’s most common symbol.8 is linked to Venus through the 8 year cycle with Earth where it creates the Venus pentagram. The  5 petal rose / star which can also be attributed to her throughout time.

In Sumerian iconology we see ishtar whom is venus with the sun and the moon.

In Romeo and Juliet, Juliet Is described as all three.

 Therefore the Venus connection is backed up by the earlier equivalent Goddess of Inanna and Ishtar in this symbolism. Shakespeare connecting this ancient Goddess with the Renaissance Juliet.

Venus is the planet of love and war and this is what we find in the play by Shakespeare two families at war and in love

Posted 28.1.2024

@Dawnhiggins 2024

Sir Christopher Wren coded the universe in the build of St Paul’s Cathedral

I believe Sir Christopher Wren coded the numbers of the universe into his design and build of St Paul’s Cathedral.

The Deans staircase at the cathedral consists of 88 steps, mirroring the orbital period of Mercury, which is 88 Earth days. Mercury's Egyptian equivalent , Thoth, is associated with knowledge, writing, and mathematics, aligning with Wren's expertise in maths, science and astronomy.

The steps span over 50 feet.

88 steps over 50 feet

50 feet is 600 inches

600-88= 512

The number for creation

The famous 888

8x8×8=512

The 9th stage of mitosis when we become a Torus. 512 cells.

The spiral =Golden ratio =Creation

Did Christopher Wren design them with this very connection in mind..

Interestingly the 88 steps symbolise the Fibonacci sequence. (Spiral)
If we take the first 10 numbers of the Fibonacci sequence & add them we get the number 88
Therefore the sum of the first 10 numbers of the Fibonacci sequence is

0+1+1+2+3+5+8+13+21+34=88

Here I show how the sum of the first ten numbers of the Fibonacci sequence relates to the 88 on the staircase that symbolises the Fibonacci spiral.

512 has 10 divisors just like the 10 numbers of the Fibonacci sequence. 10 is perfection. The 5 and 5. Equality. ( 5 fingers each hand. Left and right. Male and female)

The Great pyramid had a seked of 512 palms. This connecting the great pyramid to creation and to St Paul’s cathedral.

This discovery opens the conversation to a far greater knowledge of our ancestors.


My further discovery suggests another number associated with frequency of sound and sight.

600 x 88 = 52,800

528 hz is one of the most powerful frequencies in the universe. Linked to DNA repair. And is known as the frequency of love.
This frequency permeates nearly all living organisms, including human DNA and chlorophyll, and is recognized among the Solfeggio frequencies for its documented health advantages, reflecting a profound connection with nature.

It is believed to resonate at the core of everything, connecting our hearts, our spiritual essence, and the divine harmony.
It is also linked to vision and sound.
There is no coincidence then that the 528 is also the number of steps to the top of the cathedral dome.

Another discovery is the connection of Venus

The inner dome of St Paul’s Cathedral has a height of 225 feet
The same amount of days it takes Venus to orbit the sun.
The outer height is 85m

This also linked to the cycles of Venus. 8 years producing the 5 petal rose.
Also note the inner 8 niches creating a 8 pointed star - the symbol for Inanna and Ishtar (who were both symbols of Venus ) and which gives the 8 year cycle Venus has with Earth ..


The Queen of heaven symbolised in the highest point of the cathedral
The round dome representing the female the womb.
The Goddess hidden in plain sight ..


There are as we know 365 days in a year.
The same as the Height of St Paul’s cathedral 365 feet.

365 feet is 111m 111 is known in terms of frequency. 111 Hz frequency is known as the "Holy Frequency" and believed to increase health and wellbeing . This frequency is also said to be associated with healing and restoring mental and physical damage. Many ancient temples as well as the Kings chamber are said to resonate at 111hz.

Researchers have discovered that the pyramid's design, particularly the King's Chamber, exhibits resonant qualities at approximately 111 Hz. Oracle Chamber in the Hypogeum also resonates at the same frequency, 111 Hz.


111 is also the sum of each column, row in the magic square of the Sun. Each column equals 111. There are 6 columns and 6 rows thus we have 6x6 . But if we add the diagonal we have a 7th and 8th row. Instead of 6 x 111 it’s actually 8 x 111 giving the number as mentioned earlier the majestic 888.

888 divided by 36 ( the numbers involved in the magic square ) = 24.6.
The Width across transepts at St Paul’s is indeed 246 feet. A pattern starts to emerge and the weaving of numbers symbolic to the universe start becoming apparent.

In this I propose the measure of 365 feet 111 meters are interwoven. It displays the Earth and sun. The number of days it takes Earth to go around the Sun. Quite a remarkable connection.

To note the station stone rectangle is 264 feet. The same numbers just used differently, Wren was inspired by Stonehenge and the dome is said to fit over the circle of stone henge.

I believe all these numbers are connected and display a deeper knowledge of the human connection to frequency, healing, love and the universe.



This magnificent structure holding mathematical symbolism

Christopher Wren used his knowledge of geometry, mysticism and astronomy to code the universe into its design.

Posted 8th April 2024

Intellectual property of Dawn E Higgins

©️Dawnhiggins2024