The Da Vinci Decodes

NEW DISCOVERY- Virgin Of The Rocks
It's fascinating to see the intricate connections I've uncovered between Leonardo's artwork and ancient Egyptian architecture. The alignment of measurements between "The Virgin of the Rocks" and various elements of Egyptian pyramids suggests a deliberate incorporation of these dimensions by Leonardo, possibly to convey deeper symbolic or architectural connections.
The recurrence of numbers like 47.25 and 74.6 across different elements, such as the Grand Gallery, the well shaft, and the height of the pyramid of Khafre, hints at a deliberate encoding or mathematical harmony within Leonardo's works. This could indicate his fascination with ancient Egyptian culture and his desire to imbue his art with layers of meaning beyond mere aesthetics.
Moreover, the associations between these measurements and lunar cycles add another layer of complexity, suggesting a connection between celestial phenomena and the architectural design of the pyramids, which were often associated with celestial bodies and religious beliefs in ancient Egypt.
My research opens up avenues for deeper exploration into Leonardo's intentions and the possible symbolic significance of these measurements within his artwork. Further investigation into the relationship between "The Virgin of the Rocks," the Salvador Mundi, and other works by Leonardo could yield even more insights into his fascination with ancient Egypt and its architectural achievements.
The Leonardo codes hidden within one of his most famous paintings, The Virgin of the Rocks.
This masterpiece, housed in London, holds a key to a fascinating connection to ancient Egyptian architecture. Upon analyzing the painting, i have found that it carries the dimensions of 47.25 x 74.6 inches.
What is striking is that these measurements align with the height of the pyramid of Khafre, which stands at 472 feet.
47.25 is actually the measure of the Grand Gallery at the great pyramid. (155feet)
It is also the measure of the well shaft in the Great Pyramid..
As well as this I've discovered that the 47.25 symbolises the measure of the pyramid of Khafre 472 feet which is 144 meters
47.25 is 1/10th of the height of the Khafre pyramid but amazingly when we take the base of the pyramid of Khufu 756 ( found in the dimensions of Salvador Mundi) and we divide it by the 16 (1.6 phi again found in Salvador Mundi) we get 47.25 the exact measure of the Leonardo painting
“ Virgin Of The Rocks”
With this discovery it has helped me to piece together a relationship between the base of the Great pyramid, the grand gallery, the well shaft and the height of Khafre's pyramid. The father and son.
The Salvador Mundi as I have discussed before can be shown to relate to the virgin of the rocks in that it carries the base number of the great pyramid which is relevant to the height of Khufu pyramid 472 and also the grotto carries this measure. 4.57m (Salvador Mundi 45.7 see previous article.) Which is also the height of the Queens chamber in the great pyramid.
This being a very signifigant number and a fantastic find that can enable for deeper research.
The Khafre pyramid is said to be the pyramid of the moon.
The female goddess was associated with the moon.
It gets better the 42.75 in days is actually 6.75 weeks (same numbers found in Salvador Mundi 65.7 same as base of pyramid. And the queens air shafts) 47.25 days is also 144th of 6804 lunar cycle and 47.25 days is 6804 minutes.
Also note how the other measure of 74.6 is 1 off this number
I also found in an old publication how the measure of 746 feet was said o be a measure of the great pyramid.
746 photon feet (Hancock) is said to be 230 meters . These are the measures of the base of the great pyramid. This more evidence to suport the 746 inclusion in the dimensions of leonardo's painting.
'Dawn Higgins' discovery sheds new light on the intricate connections between Leonardo da Vinci's artwork and ancient Egyptian architecture. Her research demonstrates the meticulous attention to detail that Leonardo employed in his works and highlights his fascination with ancient cultures and their architectural achievements. By uncovering the significance of measurements in relation to Egyptian pyramids, Higgins has provided valuable insights into the hidden symbolism and mathematical precision within Leonardo's masterpieces. This discovery not only enriches our understanding of Leonardo's art but also opens up new avenues for exploration and interpretation in the field of art history and cultural studies'
This is the intellectual property of ©Dawnhiggins 2024

Mona Lisa
Unveiling the Mysteries of the Mona Lisa: A Revelation of Proportions
In a revelation that promises to reshape our understanding of art and history, a startling connection has been unearthed between Leonardo Da Vinci's masterpiece, the Mona Lisa, and one of the ancient wonders of the world, the Great Pyramid.
Measured at 77 x 53 cm, the dimensions of the Mona Lisa have long intrigued scholars and art enthusiasts alike. However, it took a keen eye and a curious mind to unlock the hidden significance of these seemingly arbitrary numbers.
Through a simple multiplication, the truth has been revealed: 77 multiplied by 53 equals 4081. This number, when interpreted as feet, astonishingly mirrors the exact height of the Great Pyramid, standing at 481 feet tall.
4+8+1 = 13
77 + 53 =130.
Here I show again leonardo's connection of the height and the paintings dimensions
My groundbreaking discovery not only sheds light on Da Vinci's enigmatic masterpiece but also suggests a deeper connection to the mysteries of ancient Egypt. The very name "Mona Lisa" takes on new significance when analyzed, as "Mona" is found to conceal "Amon," the ancient Egyptian deity associated with kingship and the sun.
Furthermore, delving into the origins of the name "Lisa" unveils a link to religious symbolism. "Lisa," derived from "Elizabeth," invokes the biblical figure known as the mother of John the Baptist, symbolizing devotion and the oath of God.
This revelation transcends mere coincidence, offering a tantalizing glimpse into the mind of one of history's greatest artists. It suggests a deliberate encoding of sacred knowledge and spiritual symbolism within the fabric of the painting, waiting to be deciphered by those with the eyes to see.
As this discovery reverberates through the halls of academia and beyond, it invites us to reconsider the boundaries between art and science, between the ancient and the modern. It stands as a testament to the enduring power of human curiosity and the timeless allure of the Mona Lisa, a masterpiece that continues to captivate and intrigue generations.
Posted on March 10, 2024, at 8:30 AM GST, this revelation represents the intellectual property of Dawn Elizabeth Higgins, who has unveiled a new chapter in the ongoing saga of art and discovery.
© Dawn E. Higgins 2024